Tables Example
Union/guild | Production type | CMPA member (max rate) | Non-member (no max rate) |
---|---|---|---|
ACFC West | All (includes per episode) | 1.0% no maximum | 1.0% |
BC & Yukon Council of Film Unions | Series Feature, MOW, pilot High-budget feature (labour costs over $4 million), mini-series | 1.0% or $1,500/episode 1.0% or $2,000/production 1.0% or $4,500/part | 2.0% |
DGC-BC | All (includes per episode) | 1.0% no maximum | 2.0% |
WGC Also applicable to national productions | Series Feature, MOW, pilot Mini-series | 2.75% or $2,000/episode 2.75% or $3,000/production 2.75% or $3,000/part | 3.5% |
UBCP Gross performer payroll under $2 million | Series, mini-series Feature, MOW | 1.0% or $3,000/episode 1.0% or $3,000/production | 2.0% |
UBCP Gross performer payroll over $2 million | All (excludes series) | 1.0% or $5,000/episode | 2.0% |
UBCP Animation | All | 0.5% no maximum | 1.0% |
Union/guild | Production type | CMPA member (max rate) | Non-member (no max rate) |
---|---|---|---|
ACFC West | All (includes per episode) | 1.0% no maximum | 1.0% |
BC & Yukon Council of Film Unions | Series Feature, MOW, pilot High-budget feature (labour costs over $4 million), mini-series | 1.0% or $1,500/episode 1.0% or $2,000/production 1.0% or $4,500/part | 2.0% |
DGC-BC | All (includes per episode) | 1.0% no maximum | 2.0% |
WGC Also applicable to national productions | Series Feature, MOW, pilot Mini-series | 2.75% or $2,000/episode 2.75% or $3,000/production 2.75% or $3,000/part | 3.5% |
UBCP Gross performer payroll under $2 million | Series, mini-series Feature, MOW | 1.0% or $3,000/episode 1.0% or $3,000/production | 2.0% |
UBCP Gross performer payroll over $2 million | All (excludes series) | 1.0% or $5,000/episode | 2.0% |
UBCP Animation | All | 0.5% no maximum | 1.0% |
Full-time employees | Membership fee |
---|---|
0-1 | $750 |
2 | $1,300 |
3-5 | $1,950 |
6-9 | $2,750 |
10-19 | $5,500 |
20+ | $8,250 |
Full-time employees | Membership fee |
---|---|
0-1 | $750 |
2 | $1,300 |
3-5 | $1,950 |
6-9 | $2,750 |
10-19 | $5,500 |
20+ | $8,250 |
First Name | Last name | title | contact | |
---|---|---|---|---|
Asher | Villareal | Production Assistant | ||
Joselyn | Nielsen | Sound Designer | ||
Keaton | Riddle | Re-recording Mixer | ||
Cynthia | Dunlap | Producer | ||
Keagan | Carpenter | Producer | ||
Oswaldo | Avery | Producer |
First Name | Last name | title | contact | |
---|---|---|---|---|
Asher | Villareal | Production Assistant | ||
Joselyn | Nielsen | Sound Designer | ||
Keaton | Riddle | Re-recording Mixer | ||
Cynthia | Dunlap | Producer | ||
Keagan | Carpenter | Producer | ||
Oswaldo | Avery | Producer |
TITLE | DESCRIPTION | |
---|---|---|
Script clearance and title search reports | Quick overview of the benefits (and costs) of commissioning a script clearance and title search report for your productions. | |
The Most Popular Approaches to Translating and Localizing Movies | Having a movie converted into multiple languages is one of the guarantees of its success. Read about the ways to translate films for massive audiences. | |
Netflix deliverables and best practices | Netflix’s Partner Help Center is a great resource with helpful FAQ’s to help producers prime their deliverables for the SVOD giant. | |
Editors on Editing | Podcast interviews hosted by Glenn Garland (ACE) and produced by the American Cinema Editors, featuring some of the biggest names in editing speaking about their craft. | |
Export market readiness | The CMPA worked with a team of Certified International Trade Professionals (CITPs) specializing in trade in services to develop the ‘Exporting Screen-Based Content and Services’ workshop. It was designed to offer members a comprehensive, hands-on training to facilitate selling screen-based content and services into new international markets. | |
How to Make a Trailer | Everyone loves a great movie trailer. They help create a buzz about your project. They entertain crowds as stand-alone, short-form tidbits of cinematic excitement. And, if you haven’t even made a full film, a well-executed trailer can lead to successful financing. |
TITLE | DESCRIPTION | |
---|---|---|
Script clearance and title search reports | Quick overview of the benefits (and costs) of commissioning a script clearance and title search report for your productions. | |
The Most Popular Approaches to Translating and Localizing Movies | Having a movie converted into multiple languages is one of the guarantees of its success. Read about the ways to translate films for massive audiences. | |
Netflix deliverables and best practices | Netflix’s Partner Help Center is a great resource with helpful FAQ’s to help producers prime their deliverables for the SVOD giant. | |
Editors on Editing | Podcast interviews hosted by Glenn Garland (ACE) and produced by the American Cinema Editors, featuring some of the biggest names in editing speaking about their craft. | |
Export market readiness | The CMPA worked with a team of Certified International Trade Professionals (CITPs) specializing in trade in services to develop the ‘Exporting Screen-Based Content and Services’ workshop. It was designed to offer members a comprehensive, hands-on training to facilitate selling screen-based content and services into new international markets. | |
How to Make a Trailer | Everyone loves a great movie trailer. They help create a buzz about your project. They entertain crowds as stand-alone, short-form tidbits of cinematic excitement. And, if you haven’t even made a full film, a well-executed trailer can lead to successful financing. |